Film review – Mondovino Le Film http://mondovino-lefilm.com/ Wed, 20 Oct 2021 08:57:08 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://mondovino-lefilm.com/wp-content/uploads/2021/07/lefilm-150x150.png Film review – Mondovino Le Film http://mondovino-lefilm.com/ 32 32 Examination of 7 prisoners – devastating but compelling drama about trafficking | Movies https://mondovino-lefilm.com/examination-of-7-prisoners-devastating-but-compelling-drama-about-trafficking-movies/ https://mondovino-lefilm.com/examination-of-7-prisoners-devastating-but-compelling-drama-about-trafficking-movies/#respond Wed, 20 Oct 2021 08:02:00 +0000 https://mondovino-lefilm.com/examination-of-7-prisoners-devastating-but-compelling-drama-about-trafficking-movies/ YesYou’d expect a film about human trafficking and modern slavery to be devastating, and this Brazilian drama rightfully horrifies. But it doesn’t quite move in the direction you might expect, which, strictly from a cinematic perspective, makes it a lot more interesting than your standard social realism. With a Brechtian approach that forces the viewer […]]]>

YesYou’d expect a film about human trafficking and modern slavery to be devastating, and this Brazilian drama rightfully horrifies. But it doesn’t quite move in the direction you might expect, which, strictly from a cinematic perspective, makes it a lot more interesting than your standard social realism. With a Brechtian approach that forces the viewer to question both their own ethical assumptions and their tacit complicity in a global consumerist culture that exploits people everywhere on the planet, 7 Prisoners is a deeply uncomfortable but utterly compelling viewing.

The film reunites director Alexandre Moratto, making his second feature film after Sócrates in 2018 with young actor Christian Malheiros, who played the main role. This time, Malheiros plays Mateus, a young man from the farmlands of the Brazilian hinterland, who accepted a job offer in São Paulo doing menial work, for enough money to make a real difference. difference for the quality of life of his mother and his siblings. back home. But when Mateus and three other young men from the area arrive at the sordid junkyard where they will spend their days scavenging for copper and scrap metal, it quickly becomes clear that they have all been duped. First their passports are confiscated, then absurd amounts for travel and accommodation costs are deducted from their promised wages.

They are soon joined by three more (which makes the seven of the title) and each development is like a Stations of the Cross that men must visit on their journey of suffering at the hands of Luca (Rodrigo Santoro), the overseer who directs the dump. But Luca himself is only a middle manager in a larger exploitation pyramid, a pyramid built on the labor of men like Mateus and his comrades – but also of warehouses full of women working on machines. sewing, some of which are torn off at the factory for sex work. . Of course, Mateus begins to plot with his colleagues on how to escape, but it soon becomes clear that this would only endanger his family back home. His only way out of the compound is to put himself on Luca’s good side and hope that an opportunity will present itself: the ray of hope that slaves have clung to for thousands of years.

Moratto and his cinematographer João Gabriel de Queiroz dance quietly around the performers, letting the actors move the drama forward in an authentic way without being gratuitously violent or intentionally gritty. On the contrary, respect for the complexity and dignity of all his characters is palpable everywhere.

7 Prisoners releases October 22 in theaters and November 1 on Netflix.


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Linda Cook Review: Art Film Lovers Will Love Iceland’s ‘Lamb’ https://mondovino-lefilm.com/linda-cook-review-art-film-lovers-will-love-icelands-lamb/ https://mondovino-lefilm.com/linda-cook-review-art-film-lovers-will-love-icelands-lamb/#respond Tue, 19 Oct 2021 01:41:56 +0000 https://mondovino-lefilm.com/linda-cook-review-art-film-lovers-will-love-icelands-lamb/ What is “Lamb? “ Sure, it’s what you might call an arthouse film – strange and not to everyone’s liking. Is it a combination of folklore and horror? Director Valdimar Jóhannsson’s debut feature defies almost any categorization. The location is a secluded sheep farm in Iceland where couple María (Noomi Rapace) and Ingvar (Hilmir Snær […]]]>

What is “Lamb? “

Sure, it’s what you might call an arthouse film – strange and not to everyone’s liking.

Is it a combination of folklore and horror? Director Valdimar Jóhannsson’s debut feature defies almost any categorization.

The location is a secluded sheep farm in Iceland where couple María (Noomi Rapace) and Ingvar (Hilmir Snær Guðnason) live.

Both work hard to take care of their crops and their sheep. It’s lambing time and we watch the couple help deliver two lambs.

One day, Maria and Ingvar go to the barn and see that a sheep has, without their help, delivered… something else. Not to mention, but with an exchange of glances, the two bring the baby back to their house, where they bathe him, bottle-feed him and wrap him in a blanket.

Ingvar brings a cradle from a storage shed, and it becomes the bed for the little one, who sleeps next to them.

The two are beaming with joy as they look at the baby. Meanwhile, the mother sheep cries piteously outside a window, the baby crying / bleating in return.

This is not a spoiler, as it is evident in the trailer for the film: the baby is anything but ordinary. Part human, the “child” has the head of a sheep. They call her Ada and raise her as their child.

Still, the two seem concerned that some harm could befall Ada.

When Ingvar’s brother Pétur (Björn Hlynur Haraldsson) arrives, he is shocked to see Ada and the couple’s reaction to her.

It wouldn’t be fair to tell you more.

The story, told with little dialogue and English subtitles, is moody and atmospheric, with beautiful windswept locations as the perfect backdrop for what is unfolding. Certain scenes – one in a cemetery for example – offer us details of the life of a couple which lead both to understanding and to more questions.

I am a fan of the poet James Dickey, who wrote “The Sheep Child”, a poem that has haunted me for decades (click to read it here.)

I can’t help but think that somehow, somewhere, this poem influenced this film.

For those who enjoy offbeat movies such as “Enemy” and “Annette” earlier and even weirder this year, this is a must-have. It premiered at the Cannes Film Festival and is Iceland’s entry for Best International Feature at the Oscars.

Prepare to be disturbed, moved and shocked… simultaneously.

4 stars

Rated: R for violence, nudity and sexual situations.

Duration: one hour and 46 minutes.

In Cinemark, Davenport.


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Film review: “No time to die” https://mondovino-lefilm.com/film-review-no-time-to-die/ https://mondovino-lefilm.com/film-review-no-time-to-die/#respond Sun, 17 Oct 2021 22:21:07 +0000 https://mondovino-lefilm.com/film-review-no-time-to-die/ Daniel Craig returns as James Bond in “No Time to Die”, offering fans an action-packed adventure as he says a final farewell to the role that defined his career. If there is one movie in Hollywood that has suffered collateral damage from COVID-19, it is Daniel Craig’s latest adventure as James Bond in Cary Joji […]]]>

Daniel Craig returns as James Bond in “No Time to Die”, offering fans an action-packed adventure as he says a final farewell to the role that defined his career.

If there is one movie in Hollywood that has suffered collateral damage from COVID-19, it is Daniel Craig’s latest adventure as James Bond in Cary Joji Fukunaga’s film “No Time to Die”. The film’s initial release date was set for April 2020 and didn’t hit theaters until more than a year later.

“No Time to Die” follows Bond after the events of the previous film “Specter”. Having left the Queen’s service to be with Bond’s lover, Madeleine Swan (Léa Seydoux), he is brought back to the service when his and Madeleine’s past catches up with them. Longtime Bond fans will recognize some basic elements of the franchise. His iconic Aston Martin enters the opening action sequence accessorized with guns, bombs and other whimsical elements. The opening action scene is filled with adrenaline-fueled scenes including motorcycles and car chases. It sets the stage for the film as the action-packed blockbuster it promises to be and it doesn’t disappoint. The rest of the movie has incredible sets filled with memorable moments. For example, Bond makes his way down a staircase in a one-shot that keeps you in the moment all the time. The seamless edits that hide the cuts immerse you in brutal, rough combat and create tension with every passing minute. Like a real spy, they spend a lot of time traveling the world to places like Jamaica, a nod to Ian Fleming, the author of the James Bond books, who owned a property in Jamaica.

One of the best action scenes takes place in Cuba when Bond is teamed up with the fresh-faced Paloma (Ana de Armas). De Armas’s performance is a breath of fresh air, despite his short-lived role. His chemistry with Craig from the critically acclaimed film “Knives Out” definitely carried over to this project. The return of Jeffrey Wright’s Felix Leiter was also a welcome addition with other returning characters such as M (Ralph Fiennes), Moneypenny (Naomie Harris) and our favorite Quartermaster, Q (Ben Whishaw). With a large number of new and familiar faces, it seems like it would be very difficult to fit everyone in. However, as we’ve learned from ensemble films like “Ocean’s 11” and “Avengers: Endgame,” nothing is impossible and Fukunaga and Co. are, in fact, making it work.

New to the franchise, along with Paloma, is the newly appointed agent 007 Nomi (Natasha Lynch). Nomi is introduced as a supporting character and a new agent, but she shows early on that she is very competent at her job and can be even better than Bond at times. Even though her insistence that Bond know she’s the new 007 might get old after a while, it fuels the antagonistic partnership between her and Bond, which creates some fun jokes and a friendly rivalry. While it’s not clear which direction the Bond franchise will be heading now that Craig is done, it would be great to see Nomi as the new 007 as it would bring a different take on the iconic role. While the protagonists and supporting characters were a pleasure to watch, sadly I can’t say the same for “No Time to Die” antagonist Lyutsifer Safin (Rami Malek). Casting Rami Malek as the titular villain seemed like the only interesting part of the character. Despite appearing in the very first scene and playing a major role in Swan’s past, he’s very underused. Not only is he not being given enough screen time, his motives for wanting to kill half the world (via complicated blood-related nanobots) carry no weight. Safin appears to be following the trend of underused Bond villains after Christoph Waltz’s Blofeld in “Specter,” which also appears in this film and is underused again.

Despite its flaws, “No Time to Die” was an exhilarating, fun, and action-packed blockbuster that finally got off the ground. Craig, Fukunaga and Universal staked it all on Craig’s latest adventure as James Bond. Craig’s performance was not only excellent, but he felt like he really enjoyed doing it. Her performance sends fans out with what I think is a heart-wrenching and fitting farewell.

Rating: B +
Director: Cary Joji Fukunaga
With: Daniel Craig, Léa Seydoux, Rami Malek, Lashana Lynch, Ralph Fiennes, Ben Whishaw, Naomie Harris
Release Date: October 8, 2021
Rated: PG-13

Image courtesy of The Hollywood Reporter.


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Review: “Raw” director returns with brilliantly disturbing film https://mondovino-lefilm.com/review-raw-director-returns-with-brilliantly-disturbing-film/ https://mondovino-lefilm.com/review-raw-director-returns-with-brilliantly-disturbing-film/#respond Sat, 16 Oct 2021 16:19:35 +0000 https://mondovino-lefilm.com/review-raw-director-returns-with-brilliantly-disturbing-film/ Winner of the Palme d’Or, the most prestigious award given at the Cannes Film Festival, “Titane” is the sequel of screenwriter and director Julia Ducournau to cannibalism, body horror film “Raw”. In “Titane”, the story follows Alexia (Agathe Rousselle), who was in a car accident at a very young age. At the very beginning of […]]]>

Winner of the Palme d’Or, the most prestigious award given at the Cannes Film Festival, “Titane” is the sequel of screenwriter and director Julia Ducournau to cannibalism, body horror film “Raw”. In “Titane”, the story follows Alexia (Agathe Rousselle), who was in a car accident at a very young age. At the very beginning of many strange events that populate the film, Alexia gets a titanium plate embedded in her head and develops a sexual attraction to cars. What follows this inciting incident has to be considered one of the most disturbing and best films of recent years.

“Titane” cements Ducournau as one of the most exciting and daring directors of his time; if there is justice, she will receive a nomination for best director at the oscars for her work here. “Titanium” is a brilliant film filled with a gruesome and sadistic body horror from start to finish. Despite this, even in the hardest movieTowatching moments, Ducournau never loses sight of the fact that his characters are at the center of every scene. Many scenes are shot in long shots, allowing the audience to feel the visceral experience of the characters. It is especially at the beginning of the film, when viewers see women undressing in front of cars. There is a nice wide shot here that allows the audience to capture the highly sexual nature of the surroundings, while not allowing the audience to give in to the male gaze that plagued so many other female-directed horror films. Ducournau is thankfully more interested in exploring the experience Alexia faces with regards to their gender and body, rather than the experience men have looking at the main character.

Ducournau, in his screenplay and directing, manages to balance three very different acts as the story turns on almost every turn. Partly it’s a relentlessly violent serial killer film, a father-child drama and a horrific horror film at the same time. At the heart of “Titanium” is an effective story about trauma and gender expression, reflected in the extreme violence and twists of the story. For a large majority of the story, in order to avoid being arrested by the police, Alexia disguises herself as a man. Throughout the rest of the story, especially with the relationship Alexia builds with father figure Vincent (Vincent Lindon), audiences see Alexia explore their gender and how they present themselves to the world. This often takes extreme measures, as Alexia harms herself physically in order to disguise her femininity. While these scenes are extremely difficult to watch, with a few extremely disturbing images put on screen, they are necessary. These scenes help audiences understand the brutal lengths that unresolved trauma and rigid gender roles in society can have on a person physically and mentally.

“Titanium” can be described as a lot of things, but being shocking just for the sake of being shocking is not one of them. While some warnings regarding extremely graphic violence and sexual content must be shared, “Titanium” is an excellent film. For those who can take it, “Titanium” deserves to be seen on the big screen and hopefully won’t be overlooked by awards shows and audiences for its hard-to-digest body horror.


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King Richard movie review: Will Smith serves in heartfelt tennis biopic https://mondovino-lefilm.com/king-richard-movie-review-will-smith-serves-in-heartfelt-tennis-biopic/ https://mondovino-lefilm.com/king-richard-movie-review-will-smith-serves-in-heartfelt-tennis-biopic/#respond Fri, 15 Oct 2021 09:52:00 +0000 https://mondovino-lefilm.com/king-richard-movie-review-will-smith-serves-in-heartfelt-tennis-biopic/ King Richard goes beyond the traditional sports movies and biopics we’ve seen a lot in the past, with director Reinaldo Marcus Green taking the narrative in a completely different direction, putting Venus’ father and Serena Williams firmly in the spotlight. . Much is known about the careers of tennis legends, who are among the greatest […]]]>

King Richard goes beyond the traditional sports movies and biopics we’ve seen a lot in the past, with director Reinaldo Marcus Green taking the narrative in a completely different direction, putting Venus’ father and Serena Williams firmly in the spotlight. .

Much is known about the careers of tennis legends, who are among the greatest to ever pick up a racquet, but the filmmaker has shifted the focus to the very early days, focusing on the lengths that Richard Williams, played expertly by Will Smith, went to make his daughters into superstars.

The very first scenes set this up as he travels between predominantly white private clubs, raving about the talents of Venus (Saniyya Sidney) and Serena (Demi Singleton). With every slammed door, his efforts grow, until coach Paul Cohen (Tony Goldwyn) finally notices.

From that point on, we see his battle to have a say in how their careers unfold, making sure they stick to the plan he decided before they were even born, while his wife Brandi (Aunjanue Ellis) inwardly seems to become more exasperated by his efforts. , constantly reminding him that they have to be a team.

We know how the story unfolds as Serena and Venus still play today, but even so, it’s a moving and compelling look at how they stepped in the door to become the world-famous athletes that fans have watched them compete for decades.

Will has always been a force to be reckoned with, but in King Richard he shows us a side we’ve never seen before, and his portrayal of the Patriarch is really weird. He’s able to switch between Richard’s remarkable determination and his ability to make jokes with ease.

Will Smith stars as Richard Williams in King Richard (Photo: YouTube)
Demi Singleton and Saniyya Sidney play Serena and Venus in the film (Photo: YouTube)

There are almost painful scenes to watch as he is attacked early on by thugs, for trying to protect the innocence of his children, leaving us even more rooted for Richard.

It perfectly matches Aunjanue as a loving mother of five growing daughters, who is just as protective as her husband but has learned to choose his battles over the years. Reinaldo made sure not to overshadow Brandi’s own efforts with their fledgling careers, showing her on the courts with Serena much as Richard watches the sessions with his brother.

The director also didn’t hesitate to bring up the subject of running, and Richard’s uncomfortable encounter with a group of trainers is a perfect example. He makes awkward jokes and rallies against the coded language used about Venus’ talent. Having none of their attitudes, he takes matters into his own hands once again and changes the course of their careers to the disbelief of everyone around him – something that has clearly worked.

Will’s portrayal of Richard is Strange (Photo: YouTube)

A poignant conversation between Richard and Venus ahead of a tournament sees him sharing his own heart-wrenching experiences of racism, to ensure that she understands the responsibility and expectations that will be placed on her from the second she steps onto the pitch, at a time. where blacks are still beaten in the streets.

For a film that traces Richard’s journey from taking his daughters from the ramshackle tennis courts of their neighborhood of Compton to the lavish court of Wimbledon, aspects of their family life are barely touched on and almost obscured.

We are aware that he is not a perfect father, his stubborn side being emphasized in his decision to withdraw his daughter from competitions against her will, under the guise of protection. But a bitter argument with Brandi further exposes her shortcomings as a husband, as she recalls her infidelities and a time when her illegitimate son showed up unexpectedly.

For a film dedicated to “King Richard”, it would have added another dimension for the audience to see how heavy this wreath was for the whole family to wear, with more light on Brandi and their other children.

Some might see this as another sports biopic, while others may be put off watching just by not being tennis fans, but that’s not really what King Richard is. Basically, it’s really the story of a family that doesn’t let adversity get in the way of their dreams and of a father who is willing to do whatever it takes to make them come true.

“This world never had any respect for Richard Williams, but they’re going to respect you all,” he proudly tells his daughters at one point – but we challenge you not to inspire you with his determination.

King Richard hits theaters on November 19.

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If you have a celebrity story, video, or photos, contact the The Metro.co.uk entertainment team by emailing us celebtips@metro.co.uk, calling 020 3615 2145 or visiting our Submit Items page – we’d love to hear from you.

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MORE: Tom Cruise enjoys baseball game on rare outing with son Connor after filming Mission: Impossible 7


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‘He’s All That’ doesn’t live up to its Pepperdine Graphic rom-com legacy https://mondovino-lefilm.com/hes-all-that-doesnt-live-up-to-its-pepperdine-graphic-rom-com-legacy/ https://mondovino-lefilm.com/hes-all-that-doesnt-live-up-to-its-pepperdine-graphic-rom-com-legacy/#respond Thu, 14 Oct 2021 04:35:06 +0000 https://mondovino-lefilm.com/hes-all-that-doesnt-live-up-to-its-pepperdine-graphic-rom-com-legacy/ The official poster for “He’s All That” shows Addison Rae and Tanner Buchanan posing behind the film’s title. The poster itself is a reference to its source material, as the title font mimics that of the “She’s All That” poster. Image courtesy of Netflix Released in 1999, “She is all that”Is a classic teenage romantic […]]]>

The official poster for “He’s All That” shows Addison Rae and Tanner Buchanan posing behind the film’s title. The poster itself is a reference to its source material, as the title font mimics that of the “She’s All That” poster. Image courtesy of Netflix

Released in 1999, “She is all that”Is a classic teenage romantic comedy that remains popular today. The film is so loved that it inspired a remake 22 years later – the 2021 film “He is all that, featuring TIC Tac Super star Addison rae.

“He’s All That” premiered on August 25, Netflix, and is nowhere near as well done or entertaining as “She’s All That”, with both mediocre performance and production. Product placement overload, an untrained lead actor, and a clear disconnect between filmmakers and audiences make “He’s All That” an objectively poorly done film.

This movie essentially tells the same story as “She’s All That”, with a few crucial changes. The biggest change is the gender of the main characters, with the popular kid being a girl and the loser getting a makeover a boy. Rae plays the film’s lead female role, Padgett Sawyer, while Leatherworker Buchanan plays his counterpart, Cameron Kweller. The other big difference between the two stories is that Padgett is a social media star and his trademark deals play a major role in the story.

Rae has 84.7 million subscribers on TIC Tac, and brings exposure to any project she is working on. If a movie wants buzz – positive or negative – then casting it is a sure-fire way to get it. A lot of people watched this movie to see her acting debut, creating pressure for her to deliver, which she did not completely fail to do.

For about the first half of the movie, Rae delivers a passable performance as Padgett – and only starts doing a bad job when he’s trying to express deeper emotion.

There’s a scene in which Cameron tells Padgett about her mother’s death in a tragic plane crash, and Rae can’t seem to make it seem like she’s really affected by it at all. This inability to express anything beyond being happy or satisfied as an actor can be attributed to his lack of formal training rather than his lack of overall ability.

While watching “He’s All That”, it’s impossible to miss the frequent product placements in the film. The most egregious example is a scene in which a character asks if he can “get KFC go, ”then immediately eats a bucket of chicken that’s literally in the middle of the shot. Padgett is an influencer who promotes beauty products on her TikTok live broadcasts, and Rae’s association with the app makes it an obvious branding deal for the film, but other star companies like Doritos Where Old navy are out of place and off-putting to viewers.

The main problem with this film is that it clearly doesn’t know who its audience is. Netflix launched a popular influencer with a very young demographic, while the film is a remake of a story important to much older people and included performances by Rachel Leigh Cook and Matthew Lillard, the two members of the “She’s All That” cast. This film has explicit language and makes several references to people having sex, including at least one fairly graphic innuendo, which also matures the content of the film.

The quality of “He’s All That” paired with its main character seems to appeal to a very young audience. There is a long dance battle scene at the end of the movie that reinforces this. There is a distinct disconnect in the film on the production side and that creates a lot of issues that make the film difficult to watch.

Many of the issues in this film would be resolved with more clarity within the production team as to who this is for and maybe even removing its association with “She’s All That”. This story would make a lot more sense as a standalone movie than as a failed attempt at a remake of a classic.

“It’s All That” isn’t the worst movie of the year, but it’s deeply flawed. Some reviews completely panoramic the movie, but it’s not as bad as they claim; there are just issues within production which, if resolved, would increase it considerably.

____________________

Follow the graphic on Twitter: @PeppGraphic

Contact Addison Whiten via Twitter (@addisonwhiten) or by email: addie.whiten@pepperdine.edu



Key words:
addison rae Addison Whiten Movie Review It’s All This Movie Netflix Movie Review Pepperdine Graphic Media tanner buchanan TikTok




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Bears’ win over Raiders was even better on tape https://mondovino-lefilm.com/bears-win-over-raiders-was-even-better-on-tape/ https://mondovino-lefilm.com/bears-win-over-raiders-was-even-better-on-tape/#respond Tue, 12 Oct 2021 20:18:13 +0000 https://mondovino-lefilm.com/bears-win-over-raiders-was-even-better-on-tape/ This tape was fun to study. The offensive and defensive lines were worthy of the ball. Running backs Damien Williams and Khalil Herbert were a source of inspiration. And the defense was flying, recalling 2018 for the first time this year with Tashaun Gipson and Danny Trevathan back on the pitch – despite the defense […]]]>

This tape was fun to study.

The offensive and defensive lines were worthy of the ball. Running backs Damien Williams and Khalil Herbert were a source of inspiration. And the defense was flying, recalling 2018 for the first time this year with Tashaun Gipson and Danny Trevathan back on the pitch – despite the defense being without Akiem Hicks.

It’s relevant that the Raiders were awful, committing 10 penalties for 82 yards that drastically affected the game as well as many dropped passes, but it’s also relevant that the Bears’ physique clearly caused some of those issues.

STRATEGIST

Justin Fields showed remarkable tenacity and leadership in his third NFL start, which is sure to impress his teammates, and that’s huge.

He also made a few special games again and showed a marked improvement in converting third downs. It continues to grow and generate enthusiasm.

But at some point, the numbers must start to count. Of the 31 other NFL teams, only the Jets racked up less than the Bears’ 252 offensive yards last weekend.

The other four QB rookies last weekend all produced twice as much offense or more than Fields. While winning heals everything, Fields’ stat line wouldn’t fly for any other QB. Category B-

BACK TO THE RACE

Williams has proven himself to be what you hope he will be: a solid No.1 who can complement your upper rear or ramp up and start. The Bears might have something special about Herbert as No.3. Look at their pass protection and you’ll see why we won’t even hang a minus on this one. Note: A

RECEIVERS and TIGHT ENDS

Allen Robinson and Darnell Mooney do plays when they get the chance, but no one else does it consistently. Blocking is excellent on tight ends and wide, and Jesper Horsted made one of the biggest plays of the game. But whether it’s game selection, rookie QB, just not enough talent here etc., these guys have to find a way to do more. Category B-

OFFENSIVE LINE

In fact, they got better every time I watched the tape. James Daniels has been outstanding all day, not just in his viral safety video. Although Jason Peters has been beaten several times yet, he is improving every week. Perhaps most impressive, Alex Bars, as the sixth guy, isn’t just a gimmick or an extra beef; he was a gun in Vegas. Rating: B +

BEFORE SEVEN

Khalil Mack was in vintage form and Robert Quinn continues to perform at a remarkably high standard. Trevis Gipson is also blinking regularly now.

Eddie Goldman might not shake the stat sheet often, but his presence and work inside helped the Bears get through the loss of Hicks.

Roquan Smith, Alec Ogletree and Danny Trevathan were impressive. Mario Edwards Jr.’s mental failings were the only negative. Note: A-

SECONDARY

Jaylon Johnson lost track of Henry Ruggs once but other than that he was once again exceptional. Kindle Vildor and Duke Shelley made weekly strides, leading to their best performances of the season against the Raiders.

Every week Eddie Jackson looks a bit more like the guy we fell in love with in 2018. Tashaun Gipson is everywhere, and Deon Bush and DeAndre Houston-Carson have both contributed impact pieces. Note: A-

SPECIAL TEAMS

Cairo Santos is the gold standard at this point. Patrick O’Donnell is approaching Pro Bowl level for the first time in his career, and Jakeem Grant is exciting, but he’s better off catching punters in the end zone. Solid all around. Category B

FRAMING

I begged Matt Nagy to be a head coach rather than an offensive guru, and the Raiders game was a sign of what that can look like. Sean Desai, Bill Lazor and all the staff had their best games of the season because Nagy put them in a position to do so. They will have to incur the eight penalties for 70 yards out of their troops. Rating: B +


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“Needle in a Time Stamp” review – The Hollywood Reporter https://mondovino-lefilm.com/needle-in-a-time-stamp-review-the-hollywood-reporter/ https://mondovino-lefilm.com/needle-in-a-time-stamp-review-the-hollywood-reporter/#respond Mon, 11 Oct 2021 15:31:16 +0000 https://mondovino-lefilm.com/needle-in-a-time-stamp-review-the-hollywood-reporter/ There are surely few people on the planet who do not have wished they could go back in time and change the way one relationship or another turned out. Needle in a parking meter create a world where people can actually do it, as long as they have enough money. A single man can change […]]]>

There are surely few people on the planet who do not have wished they could go back in time and change the way one relationship or another turned out. Needle in a parking meter create a world where people can actually do it, as long as they have enough money. A single man can change the timeline so that his marriage never ends, his ex was never gone, and his best friend never married her.

But whether the lonely man can separate true soulmates for good seems like a whole other question, and that’s the one explored in writer-director John Ridley’s adaptation of Robert Silverberg’s short story. The premise is rich in potential for a painful romance and meaningful contemplation of how time and technology can shape the way we view our relationships. So it’s a shame that this version crumbles under closer scrutiny, with a storyline that feels love-loving more like a theoretical concept than a lived experience.

Needle in a parking meter

The bottom line

A serious but mistaken story of cursed lovers.

Release date: Friday October 15th

To throw: Leslie Odom Jr., Cynthia Erivo, Freida Pinto, Jadyn Wong, Orlando Bloom

Director-screenwriter: John ridley

From the news from: Robert silverberg

Rated R, 1 hour 51 minutes

The film opens with a tearful Cynthia Erivo pledging her love forever straight into the camera, in a scene that works as a litmus test for the viewer: either you’re willing to accept such shameless sentimentality, or you’re not. you’re not, you’ll probably enjoy the movie more if you are. (I was, for the record, but that didn’t help much.) Gradually, she revealed herself to be Janine, a photographer whose marriage to town planner Nick (Leslie Odom Jr.) consisted of all Usual cinematic shortcuts for “deeply in love”: They are bathed in soft, soft light as they snuggle up in the subway, slowly dance to records at home, and gaze at each other with moon eyes across crowded rooms and crumpled beds.

There’s only one crack in their perfect marriage, and it takes the form of Janine’s ex-husband Tommy (Orlando Bloom, perfectly smarmy). Nick is increasingly consumed with the suspicion that Tommy has altered the timeline to take Janine back for himself, and while he’s not wrong, the film initially suggests that Nick’s jealousy poses an even greater threat. for her marriage than Tommy’s interference. The damage is reflected in Janine’s horror when Nick suggests he goes back in time to hurt Tommy so that Janine was never married to him, and in warnings from Nick’s sister (Jadyn Wong) that her fear of losing Janine might be the very thing that actually loses her.

Corn Needle in a parking meter walks away from that line of thinking in its second act by launching a major twist of time travel. The first act carefully exposes how the “ride” (traveling in the past) fits into this universe. The warping of time has become common enough that “phasing” (the ripple effects of a change in the past, visually represented by waves that look a bit like living water) is considered a minor annoyance. of modern life; even events as once final as death can no longer be taken for granted. But the movie doesn’t really care about the implications for anyone or anything beyond Nick’s love life. Time travel turns out to be just a twist in an otherwise fairly conventional love story.

Which turns out to be a problem, because even with her attractive cast, Needle in a parking meter struggles to deliver a compelling romance. Odom and Erivo look cute and comfortable together, but the film offers Instagram-worthy snapshots of a relationship rather than the unique reality of one. You never know exactly why Nick and Janine might belong together, or similarly why Janine and Tommy might not. The introduction of another potential love interest, Nick’s ex Alex (Freida Pinto) only confuses matters further, as none of the female characters are fleshed out enough for there to be an actual distinction between them. Besides, neither has much to say about their own romantic destiny; it’s up to Nick and Tommy to fend for themselves.

Indeed, the only truly interesting relationship to emerge from this mess of heartbroken lovers is that between Nick and Tommy. Depending on when they interact and the state of their timeline, they’re fierce friends relying on each other for emotional support, fierce rivals locked in a zero-sum game, or something in between. Jumps forward or backward reveal new bits of history, new sides of their personality, or new ways of understanding regrets and resentments between them. The film’s portrayal of their relationship may be incomplete, but it’s also vibrant in ways the others aren’t, and reveals more about the two men than the entire sum of their dating lives can.

It’s a shame the film insists on centering the romances. Over and over, the characters say to themselves “I just want you to be happy” – sometimes as a plea, sometimes as an apology, sometimes as a concession. But the film’s vision of happiness unfortunately turns out to be limited, unable to overcome the socially accepted flaw of a single soul mate and perhaps a few children. (Even the one character who calls monogamy “misery with company” is wholly devoted to a platonic best friend and no one else.) If love is a circle, as Janine posits in this opening speech, Needle in a parking meter suggests it’s the one spinning in place – still moving, but unable to go anywhere again.


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Movie review: Wish Dragon – Journal https://mondovino-lefilm.com/movie-review-wish-dragon-journal/ https://mondovino-lefilm.com/movie-review-wish-dragon-journal/#respond Sat, 09 Oct 2021 02:48:19 +0000 https://mondovino-lefilm.com/movie-review-wish-dragon-journal/ Wish Dragon is no ordinary animated film that makes viewers laugh and laugh. It’s the story of true friendship and how two friends with nothing in common stand up against social evils. Like the Disney classic Aladdin (released in 1992), where an Arab peasant boy and a blue genie wreaked havoc, here the story revolves […]]]>

Wish Dragon is no ordinary animated film that makes viewers laugh and laugh. It’s the story of true friendship and how two friends with nothing in common stand up against social evils.

Like the Disney classic Aladdin (released in 1992), where an Arab peasant boy and a blue genie wreaked havoc, here the story revolves around a not-so-rich boy, who befriends a hearing dragon. wishes by mistake.

Set in contemporary China, Wish Dragon revolves around Din, a poor student who earns a living doing odd jobs. He still wants to be with his long lost childhood friend Lina, who has now become a model. Things improve when Din stumbles upon a magical teapot and releases a pink dragon named “Long” trapped inside. Together, the two embark on a hilarious adventure where they battle villains, meet Lina, and even discuss the Three Wishes.

What makes this association more interesting is that no one except Din can see the dragon, while the dragon can see everyone (and wish-granting, if you missed it!).

Written and directed by newbie Chris Appelhans and co-produced by action movie star Jackie Chan, the film features the voices of John Cho as Long and Jimmy Wong as Din. Although this is a Netflix movie, the animation, background music, and voice acting are on par with any recent animated feature, making it a must-have for those who enjoy a good animated feature film.

He draws a comparison to Aladdin, but the ancient Chinese concept of the wish dragon technically arrived long before the Arabian Nights. Some historians even believe that Aladdin is not part of the Arabian Nights and has always been Chinese folklore. In this case, Wish Dragon has taken Aladdin back to its roots, and that too in a style that will long be remembered.

With fun, cravings for action and comedy, this is surely a movie that kids want.

Posted in Dawn, Young World, October 9, 2021


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Jason Sudeikis shocks ‘Lasso’ fans with violent film – Deadline https://mondovino-lefilm.com/jason-sudeikis-shocks-lasso-fans-with-violent-film-deadline/ https://mondovino-lefilm.com/jason-sudeikis-shocks-lasso-fans-with-violent-film-deadline/#respond Wed, 06 Oct 2021 22:12:00 +0000 https://mondovino-lefilm.com/jason-sudeikis-shocks-lasso-fans-with-violent-film-deadline/ The title South of paradise means a kind of hell for parolee Jimmy Ray in the noir genre action drama from director Aharon Keshales which brings star Jason Sudeikis a film role which is good south of its current success in Ted Lasso. This movie was actually shot several months before Lasso has become a […]]]>

The title South of paradise means a kind of hell for parolee Jimmy Ray in the noir genre action drama from director Aharon Keshales which brings star Jason Sudeikis a film role which is good south of its current success in Ted Lasso. This movie was actually shot several months before Lasso has become a sensation and has given Sudeikis the role of his career so far, as well as a few Emmys he won last month. As Jimmy Ray, who, by the time we meet him, has just been paroled after serving 12 years for armed robbery, Sudeikis has a role poles apart in many ways from the Good Lasso, but his motivation initial here to gift one year of the best last year of life to his terminally ill fiancee is well-meaning, even though we know things are going to be, uh, South.

Deadline

Jimmy Ray secures parole by informing the board of directors of his marriage plans and hopes to cheer on cancer-to-be wife Annie (Evangeline Lilly), who meets him at the prison door to welcome him back into a kind of normal existence. However, his shady parole officer Schmidt (Shea Whigham) creates a scary vibe early on and soon sets him up for a parole violation. unless he agrees to do an illegal dirty job for him. With no choice, Jimmy Ray is back flirting with the dark side as he visits low-level criminals to retrieve a package intended for Schmidt. Saying he’s just a “messenger,” he soon discovers it’s a trap for Schmidt, but his own difficult past kicks in as he disarms these guys and is allowed to continue the mission. However, while driving at night, he is temporarily distracted and crashes his car against a motorcyclist, severely cutting the cyclist in two. It gets complicated from there even after enlisting his friend, Honest Frank (Jeremy Bobb), to help with the cleanup.

In one of the few plot developments that cast doubt on credibility, it turns out that the dead man on the bike was delivering half a million cool to very villainous Whit Price (Mike Colter), who is able to link Jimmy Ray to the delivery failure and suspects he’s taken it from the guy’s leftovers. In no time, Price goes to Jimmy Ray’s to find out he’s not there, but Annie is. He uses her as bait, while adopting an oddly sympathetic attitude towards her as she reaches him on the kind of human level he’s not used to seeing in these situations. In a tit-for-tat move, Jimmy Ray grabs Price’s young son Tommy (Thaddeus J. Mixson), and you can bet things really explode from there.

Like I said it becomes complicated. It also gets a little tiring as character development is at a minimum here, with most of the actors stuck in stereotypical roles for this kind of genre exercise. Keshales’ Tarantino fixation is obvious, but he doesn’t have a sense of the history of this master or how to pull off that sort of thing. Maybe it wasn’t a good thing Tarantino said Keshales’ cult hit in 2013 Big bad wolves was the best movie of the year. Keshales is not Tarantino, but knows how to stage threatening action sequences.

Attention will undoubtedly be brought here due to Sudeikis’ presence, and he seems surprisingly at ease in an unexpected star-studded turn, but his relentlessly brooding tone and unfortunate choice of accent are not really up to date. height. The accent in particular is too reminiscent of Ted Lasso, even to the point of distracting, at least to me. If you want to see a formidable performance by Sudeikis in an overlooked film, check out Kodachrome at Netflix instead of investing two hours in it. Fans of horrific and gory violence might be happy, however.

RLJE Films Releases South of paradise Fridays in theaters and on VOD and digital platforms. Roger Birnbaum, Dallas Sonnier, Amanda Presmyk, Chad Harbold and Keshales are producers.

Check out my video review above with scenes from the movie. Do you intend to see South of paradise? Let us know this you think.


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